Rickwood Field, the nation’s oldest ball park opened in the West End community of Birmingham in 1910. The popularity of baseball was such at that time that the entire city of Birmingham closed up shop for the day in anticipation of its opening.
It is also revered as the oldest remaining park that was home to a Negro League ball club, the legendary Birmingham Black Barons. Legends like Willie Mays, Satchel Paige, Babe Ruth, Jackie Robinson, and Hank Aaron all played there.
After the minor league Barons left for the suburbs, the park was preserved as a historic landmark and working museum, hosting amateur games and an annual Rickwood Classic. And with the help of the Birmingham Historical Society, it was listed on the National Register of Historic Places in 1993.
Open for both self-guided or guided tours upon request, the ball park is listed by Birmingham Historical Society as one of Birmingham by the Book‘s Must-Sees (pg. 6)!
The Negro Southern League Museum near Regions Field in the Parkside District tells the story of black baseball in America through the lens of Birmingham’s experiences. A map along with other attractions in the area is included on pg 57 of Birmingham by the Book.
The Negro Southern League Museum is near Regions Field in the Parkside District. A map along with other attractions is included on pg. 57 of Birmingham by the Book.
Understanding the Society’s Endowment and Sustainability
The current leadership of the Birmingham Historical Society has served since 1976 and the eventual retirement of this leadership will require paid staff and a rise in operating expenses.
The rise in operating costs led to the 24 page case statement linked above in 2022 and the subsequent capital campaign. The document argues for substantial endowment contributions to raise market value and generate income. The income should cover overtime overhead and full-time leadership, a curator, and rent. The dedication of its members will continue to support the organization’s continuity.
Planning has looked to precedents set by other Birmingham institutions that have endowed leadership positions. While increasing the endowment will aid continuity, the Society will continue to function as a volunteer organization supported by members and by grants and contracts paying the direct costs of its projects and publications.
The document showcases a few of the Society’s publications and activities through the years. It includes a description of the Society’s organization and leadership, the history and governance of the endowment, followed by “the rest of the story.” It’s hoped that future leadership can use this document as a guideline for what can be accomplished in the years to come.
Ever thought about what historic organizations do and how they do it? What’s the organizational hierarchy?
Federal Agencies
Non Profit Organizations
State Organizations
Local Historical Organizations
Curious to learn more about a historic property? Living in a historic district, maybe? Let’s start with the National Register and answer those questions!
Federal Agencies & Non Profits
The National Register is a federal agency1 supported by tax dollars that promotes the restoration of significant historic properties. It maintains the official list of historic places in the United States worthy of preservation and is managed by the National Park Service.
It is NOT related to the National Trust for Historic Preservation which is a non-profit organization2 privately supported by their membership which advocates for historic properties. However, they do not manage nor approve register listings.
State
Properties included on the National Register must first be nominated or approved by state organizations3 and are subject to state laws, which in Alabama is the Alabama Historical Commission. Generally, nominated properties are at least 50 years old unless they are exceptionally important.
Birmingham Historical Society is among the local historical organizations4 which take great pride in their cities, researching their surroundings to educate and make recommendations about significant historic properties and people. It is often involved in the nomination process of historic properties and districts. Available publications document their research since their start in 1942.
Since that time, we’ve enjoyed exploring our new home in more depth. Our Highland Avenue neighbor, Randy Merritt, has been documenting the remaining historic homes on Highland Avenue as well as collecting archival photos of those that have been demolished.
The assortment tells the story of Birmingham’s pioneering residents whose strong belief propelled the city’s growth. It’s a tale of architectural innovation, economic power, social norms, financial successes, and the complex local politics of that time.
So, whether intrigued by the people, the location, the event, or by the lessons learned, history at all levels creates a compelling story worth preserving and telling. Grateful for the organizations that continue to tell those stories! One can’t help but appreciate the efforts of all of the organizations dedicated to upholding and conveying this history.
Below shows some of the process in registering the Highland Avenue Historic District. The Birmingham Historical Society offices are on the ground floor retail space in what was originally the Altamont Apartment Building on lot #4 on diagram below.
The Southern Music Research Center, and its signature radio show, The Lost Child, recently featured a recording by Smokey Reason, an Alabama native who performed at the Grand Old Opry, and with Ernest Tubb, among other great country stars. But his music may have been lost forever, were it not for the accidental find of his 1949 record at an estate sale. Relatives of Smokey Reason all tuned in when it was broadcast on The Lost Child and they finally heard it for the first time, despite having the lyric sheet to one of his songs.
Smokey Reason, “Stolen Kisses” Lyric Sheet & Statement of Authorship
Description
Original typewritten lyric sheet for “Stolen Kisses,” an original composition by Smokey Reason. Also included is a notarized letter documenting Reason’s authorship of the song.
Lyric sheet and letter courtesy Marrtha Casinger, Judy McCormick, Mandy Bahe, and the family of Smokey Reason. Special thanks to John Horton, whose searching unearthed the original record.
Alabama Librarians and the Alabama Department of Archives and History outlines how to clean and preserve old books as well as five things you should NEVER do with old documents. Click on images to print them out.
Old books, newspapers, photos and letters.
York. England. 01.26.19. Genealogy – My Family History – Old family photographs dating from around 1890 up to about 1950. This period of time covers two world wars and massive changes to society. These old photographs document the period on a personal level in a time before the digital age and social media.
Historic Sloss Furnaces, an iconic Birmingham landmark and a lasting tribute to Birmingham’s industrial beginnings, will be permanently illuminated on July 23rd! This free event and celebration is thanks to the contributions of a corporate donor and Cathy & Paul Jones, You must REGISTER to attend. The public celebration and lighting ceremony will also include 1,000 feet under the 1st Avenue North viaduct.
Sloss Furnaces is a National Historic Landmark that operated until 1971. After closing, it became one of the first industrial sites in the United States to be preserved for public use. Act No. 517 was a crucial piece of local legislation enacted by the Alabama State Legislature in 1973 that granted the City of Birmingham the police power to halt the demolition of historic properties and mandate changes to buildings.
Why Act No. 517 Matters
In the 1970s, Birmingham’s industrial sector experienced a sharp decline. As a result, many massive, abandoned 19th-century and 20th-century industrial facilities—like the sprawling Sloss Furnaces—were slated for total demolition. (Birmingham’s Terminal Station was demolished in 1969.)
Many thanks to photographer Steve Dunlap for giving us a preview of the extensive lighting project!
At the time, grassroots organizations and the Birmingham Historical Society recognized the profound historical and economic importance of saving these remnants of America’s industrial growth. Using the legal tools provided by Act 517, the city was able to freeze demolitions, secure the land, and prevent the loss of Birmingham’s signature “Iron Empire”. Let’s celebrate this historic landmark on July 23rd!
In the early 1970’s, because Alabama’s strict 1901 Constitution severely limited municipal power, Birmingham could not simply pass a city ordinance to enforce historic preservation or restrict property modifications. A bill, sponsored locally by State Senator Richard Dominick and pushed through the House under Speaker Jimmy Clark, Act No. 517 legally empowered the City of Birmingham to establish its own regulatory bodies, leading to the formation of the Birmingham Historical Commission and its Architectural Review/Design Review frameworks.
The 1973 legislative authority was specifically engineered to save and legally protect Birmingham’s rapidly disappearing downtown architectural footprint. (Birmingham’s Terminal Station was demolished in 1969.) The very first project to utilize these new legal and financial protections was:
The Morris Avenue Historic District: This was the fundamental “pilot project” for the 1973 legislation. Morris Avenue was Birmingham’s original 19th-century commercial wholesaling district, filled with cobblestone streets and heavy brick warehouses. Under the new legal framework, the city successfully blocked demolition and forced exterior design reviews, transforming it into the city’s first revitalized historic office and entertainment district.
It’s the very birthplace of Birmingham’s historic preservation movement and serves as an example of how state legislation, local activist energy, and real estate development collided in the early 1970s. By the late 1960s, Morris Avenue sat largely vacant and decaying. Because it was right next to the downtown railroad tracks, there was immense pressure to clear the old masonry warehouses for modern industrial use, surface parking, or highway infrastructure.
When local preservationists stepped in to save the iconic cobblestone street and structures, they realized the city had no legal authority to stop property owners from tearing them down. Act 517 was custom-tailored to fix this exact crisis. It gave the city the police power to freeze demolitions and legally mandate that any changes to building exteriors pass a design review board.
The newly formed Jefferson County Historical Commission hurried to establish the district boundaries and in 1973, preservationists successfully placed the Morris Avenue–First Avenue North Historic District on the National Register of Historic Places. This was the critical first step required to unlock the federal tax incentives and municipal protections granted under the new state framework.
Bob Moody was the visionary designer and artist who created the original conceptual blueprint and visual pitch that saved Morris Avenue from demolition. Moody provided the aesthetic inspiration that convinced city leaders, property owners, and investors that the decaying warehouse district was worth saving.
His involvement can be broken down into three critical phases:
1. The “Underground Atlanta” Concept (Late 1960s)
In the late 1960s, Morris Avenue was widely viewed as an eyesore destined to be razed for surface parking lots. Moody—a multi-talented designer with a background in architecture who had previously worked for NASA—saw things differently. Inspired by historic entertainment revivals like Gaslight Square in St. Louis and Underground Atlanta, Moody envisioned transforming the old warehouses into a bustling district of restaurants, nightclubs, and shops.
2. The Power of Watercolor Renderings
Because city leaders and investors could not visualize how grimy, abandoned industrial structures could become a premier destination, Moody used his extraordinary skill as a watercolorist. He sketched and painted vivid architectural renderings of a reimagined Morris Avenue.
The Visual Pitch: His paintings featured gas lantern streetlights, active storefronts, and outdoor patrons walking along the avenue’s historic paving blocks.
The Impact: Moody openly stated that if it wasn’t for those watercolor renderings to sway public opinion and secure backing from civic groups like Operation New Birmingham, the entire area would have been flattened into a giant parking lot.
3. Executing the Restorations (1974 and Beyond)
After the 1973 legislative framework was passed, Moody founded his own firm, Moody & Associates, in 1974. He transitioned from conceptual visionary to hands-on preservationist. Over the next several decades, his firm provided the interior design and architectural plans for more than 40 historic restoration and “Cinderella stories” adaptive reuse projects throughout downtown Birmingham, working alongside real estate partner John Lauriello.
Mercantile on Morris July 2026, as tomorrow’s history is made today
Today, many of the buildings are occupied by restaurants and offices. One of the more ambitious projects is The Mercantile on Morris Building. Developed by Orchestra Partners, it’s a mixed use project with a plaza linking Morris Avenue to 1st Avenue North, containing 47 condominiums and 12,000 square feet of retail.
Morris Avenue conceptual promotion 1973
Morris Avenue conceptual promotion 1973
Fireworks from the Mercantile on Morris looking toward Vulcan July 2026! Here’s to preserving tomorrow’s history!
With 188 acres of rolling pasture, come prepared to walk among 20 historically inspired buildings and beautiful gardens. Don’t forget water and a folding chair. Costumed historical interpreters will be wandering the grounds, and there will be featured music and food. Sweet Home 250 runs July 3 and July 4, 2026, from 11:00 am to 10:30 pm each day. Doors open at 11:00 am with programming starting at 11:30 am. Last admission is at 8:30 pm each day. Tickets are available HERE. See you next weekend!
Opening May 23rd, this exhibit by The Symphony of Elements Foundation is FREE as a landmark tribute to Birmingham’s industrial heritage at Sloss Furnaces National Historic Landmark — “one of the most historically significant industrial sites in the United States”.
Chairman + Director, Symphony of Elements Foundation
Dr. Raymond Thompson, PhD, PE
Dr. Raymond Thompson has spent more than six decades at the intersection of metallurgy, education, and community. Symphony of Elements is the culmination of all three.
A celebrated Engineering Professor at the University of Alabama at Birmingham (UAB), Dr. Thompson shaped generations of engineers through his courses in metallurgy, ceramics, and materials science. His influence extended far beyond the classroom: he served on the UAB Long-Term Planning Committee, the School of Engineering Advisory Council, and as president of the UAB National Alumni Society, earning the UAB Volunteer of the Year Award in recognition of his lifelong commitment to education.
After more than 60 years as a Birmingham resident, researcher, and teacher, Dr. Thompson created Symphony of Elements to share what he has always known: that metals are not just functional — they are beautiful, complex, and endlessly fascinating.
This exhibit is his gift to the city that shaped him.
Learn why the Birmingham Mineral Railroad was significant to Birmingham’s economic development, as explained by railroad historian, James Lowery. As volunteer coordinator and member of the Board of Directors of the Mid-South Chapter, Lowery details the privately funded Historic Birmingham Mineral Railroad Signs Project created to locate signs all along its route, in order to preserve its historical significance. More information is available HERE, along with a summary on Birmingham Historical Society’s May newsletter HERE
Note that this is the full presentation of James Lowery’s talk and is an hour and a half.
James Lowery and BHS President Wayne Hester hold the sign used to mark the Birmingham Mineral Railroad bed
